Concert Review: Allan Holdsworth Trio, May 14, 2009 (May 29, 2009)
 It was a warm and windy evening in the quiet little Chicago suburb of Palatine, Illinois. Several hours before the concert started there was already a line of people outside Durty Nellie's Bar and Restaurant who had come to see one of the most respected, and often underexposed, guitarists of the past half-century, Allan Holdsworth. As they waited to enter the club, conversations popped up about their favorite Holdsworth song or album and anecdotes from previous concerts dating all the way back to the early '70s when the young guitarist first stunned jazz-fusion fans all over the globe. While many people in attendance were long-time fans of the British guitarist, there was a surprising number of teenagers and people who were talking to their friends about how excited they were to see Holdsworth perform for the first time. The mixture of fans, old and new, is a testament to Holdsworth's appeal as a composer and guitarist...
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Interview with Luthier Dan Koentopp (May 26, 2009)
 Luthier's have long been the unsung heros of the guitar world. While they may not receive the lavish luxuries and press coverage that performers often do, the luthier is the backbone of the guitar industry and has been for hundreds of years. In the hands of a skilled guitar maker, a plain looking hunk of wood can be transformed into an instrument of beauty, an instrument that can remain a part of the public's consciousness long after its performer has come and gone. While the modest original workshops of builders such as Orville Gibson and Leo Fender have grown into global empires, there remains a devoted group of guitar makers who prefer to work in small shops and in close personal contact with the performer. Luthier Dan Koentopp is the perfect example of a small-scale luthier who is making waves with his custom-built guitars...
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Book Review: "Etudes for Solo Guitar in 24 Keys" (May 22, 2009)
 While most guitar étude books are geared specifically toward the classical or jazz player, Ken Hatfield's Études for Solo Guitar in 24 Keys is aimed at bridging the gap between these two distinctive styles of music. The twenty-four keys that are referred to in the title are the twelve major keys and the twelve minor keys, similar to how Bach organized his "Well-Tempered Clavier." While Bach progressed through each key by moving up a fifth, Hatfield chose to proceed in this manner for the major keys, but then progressed through the minor keys in downward leaps of a fifth. By doing so, Hatfield has allowed the student to work through progressively harder keys. In other words, the first key has no sharps or flats, C major, the second key has one sharp, G major; the third has two sharps, D major and so on. Since there is no tablature being used for these etudes, the progressively difficult key signatures will allow students to learn the pieces while also developing their ability to read notation...
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Review: "Lenny Breau & Brad Terry: Live at the Maine Festival" DVD (May 10, 2009)
Lenny Breau & Brad Terry: Live at the Maine Festival is the latest DVD release from Art of Life Records. The DVD aims to provide an up close and personal look at this dynamic, though often overlooked, guitar and clarinet duo. Up until this point in time, any fan of the Breau-Terry duo had to be content with one live release, The Complete Living Room Tapes, which features the duo jamming during a house concert. With new archival performance footage from the 1980 Maine Festival, an interview with Terry, high-resolution audio files of two duo tracks and a complete discography of all of Lenny's recordings as both a sideman and leader, this DVD package showcases these two extraordinary musicians in a new and evocative fashion...
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Review: Jamey Aebersold Jazz Play-A-Long "Volume 123: Now's The Time" (May 4, 2009)
 The latest book and CD package from the Jamey Aebersold Play-A-Long series, Volume 123: Now's The Time, gives musicians a chance to play alongside one of the finest rhythm sections in the world, the Joey DeFrancesco Trio. One of the reasons that the Aebersold Play-A-Long series has become so popular is the ability of its owner, Jamey Aebersold, to attract some of the best names in jazz to perform on each CD, and Volume 123 is no exception. The rhythm section of Joey DeFrancesco on organ, Byron Landham on drums and Paul Bollenback on guitar is one of the hardest swinging and energetic trios on the scene today...
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