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| Review by Vince Lewis | About Vince Lewis | |
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Live @ the Fat Cat by The Sheryl Bailey 3 (August 22, 2006) by Vince Lewis The resurgence of the organ, guitar and drum arrangement has brought forth some very fine groups in recent years. Most of these trios mimic the more traditional standard sounds of Jimmy Smith, Groove Holmes and Jimmy McGriff. However, utilizing Gary Versace on the Hammond B3 and Ian Froman on drums, Sheryl Bailey has a more modern sound and musical direction. There is a passionate drive and intensity throughout the music. The compositions are Bailey originals that combine elements of bop and swing while maintaining her unique melodic and harmonic voice. ![]() The opening track is a nod to legendary pianist Cedar Walton titled, “Cedar’s Mood.” All three musicians immediately establish themselves as equal partners in the group. This is an up-tempo swing tune with an interesting melody line. Bailey floats through the chord changes with excellent technique adding a touch of electronic effects. Her single note lines are well crafted and punchy in their phrasing. A broad mix of musical influences are showcased in her playing, making her sound unique in the guitar world. Froman is a terrific drummer who provides just the right dynamic control and enthusiasm for the soloists. Versace combines the expected standard organ clichés integrated with his own high quality creativity. “A Soft Green Light” is a subdued jazz waltz dedicated to guitarist John Abercrombie. The melody floats in a modal form and direction and is a fitting tribute to one of the first more modern group of players. “Starbrite” grooves right along and is heard on one of Bailey’s previous recordings. “Elvin People” and “Swamp Thang” are two of her most requested compositions. “Dance of the Dream Maker” has a pretty melody line and offers a Latin feel, calming the mood down a little. Bailey can switch between styles effortlessly while maintaining her distinctive voice. The listener will find a little bit of Pat Metheny mixed with John Scofield in her playing. The remaining cuts are titled, “Tune Down,” “The Wishing Well (for David)” and “Midnite Swim.” The trio has spent quite a bit of time performing together, resulting in a CD that offers something for every taste. This is a mix of contemporary music with a solid traditional guitar tone. Guitar fans wishing to expand their listening genres will find Live @ the Fat Cat a good source to explore. Live @ the Fat Cat |
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