Arbors Records ARCD19332
Arbors Records, Inc.
2189 Cleveland Street, Suite 225
Clearwater, FL 33765
www.arborsrecords.com

Currently, there is a movement that is bringing back the 1930s and 40s gypsy style of music. The sound of purely acoustic instruments has a definite allure for the player and for the listener. Contrary to popular belief, the future of jazz does not come only from the development of technology and musical style. It also needs to demonstrate a respect and reverence for earlier styles and the players that created it.

An equally important part of this progression is the involvement of young players who preserve the traditional styles. Becoming an accomplished musician involves study of many genres, both old and new. Once a melding of these influences shapes the individual personality, the player should have created their own unique voice.

The experienced veterans on this recording are inviting the new generation into their world. Jay Geils and Gerry Beaudion, both seasoned artists, have collaborated in the past and compliment each other very well. Nineteen-year-old Aaron Weinstein (violin and mandolin) is the new voice in the group. He was introduced to Beaudoin by jazz guitar legend Bucky Pizzarelli. A recommendation also was received from Chicago mandolin player Don Sternbeng. This combination of musicians makes for an excellent vehicle to explore some of the musical chestnuts of earlier times.

Joined by Bob Nieske on bass and Les Harris, Jr. on drums, the group begins the set with “Desert Sands” by Stuff Smith. This selection is a minor key melody moving into a major key bridge section. The groove is solid and Weinstein establishes early on that he is not shy about working with well-established musicians. He has researched and listened to players who have set the bar, such as Stephane Grappelli and Joe Venuti.

Geils and Beaudoin have worked together often enough to effortlessly exchange the roles of soloist and accompanist. Weinstein has a sense of phrasing that blends perfectly with the percussive punchy solo lines of the guitarists.

Selections include “In A Mellowtone,” “Out of Nowhere,” “I Thought About You,” and “Sweet Georgia Brown.” Beaudoin contributes two original compositions. “Blue Benedetto” is a blues head and nod to guitar builder Bob Benedetto and “Jackie’s Serenade” is a Latin tribute to his wife of 25 years.

The liner notes state, “The band breezes us through an eclectic, easy-going set of Tin Pan Alley and Swing Era classics.” This album provides a truly enjoyable experience for fans of this laid-back timeless music.