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CD Review: Live From Nowhere In Particular - Joe Bonamassa (August 5, 2008) by Brian D. Holland.
Anyone familiar with Joe Bonamassa knows the degree of respect and admiration he has for the music of yesteryear, primarily blues and rock. His renditions of the classics, such as Tull’s “A New Day Yesterday,” Yes’ “Starship Trooper,” and Alvin Lee’s “One Of These Days,” adds smiles of approval to the faces of attentive audiences the world over. It’s a crucial key to his amazing talent: fans feel that they’re listening to one of their peers, someone who feels the same passion for the music. He’s similar to the best friend you had growing up, the guy next door you’d drink beers with on Sunday afternoons while listening to vinyl records. Perhaps without even realizing the music’s classic relevance at that time, you related to it in a personal and private way. A trait that never ceases to surface in his live sets, Joe pays homage to his idols and influences. He’ll often throw a classic lick into a song, and it’s often done with the same passion, phrasing, and tone of the initial recording. His influences are many; they are legion, one might say; from one end of the rock spectrum to the other, blues as well. However, the honor he bestows upon musicians of the past and present is a humble endeavor of appreciation, additives to accentuate a style that’s original and creative on its own. It’s all Joe Bonamassa, and he’s a tonal mastermind of the instrument. Nevertheless, he likes to toss something into the mix every now and then, just to remind listeners where it all came from. Live From Nowhere In Particular is all that and more. The barnstorming opener, “Bridge To Better Days,” as well as the astounding acoustic blues, “Woke Up Dreaming,” are both exemplary of the originality that’s Joe Bonamassa, and of the passion he exerts in the live setting. He’s incredibly adept at both electric and acoustic guitar, and this live set authenticates that. Covers of Free’s “Walk in My Shadows,”, Paul Marshall’s “So Many Roads”, and Warren Haynes’ “If Heartaches Were Nickels” are brilliantly executed. The Blues Foundation board member puts pure emotion and sincerity into the blues. Listen to the little Beatles insert at the end of “If Heartaches Were Nickles.” It’s merely one example of the fun he has with melodies, empowered by an imagination that segues tastefully from one area into another. * * *
Listen to "Bridge To Better Days" from Live From Nowhere In Particular * * *
“Woke Up Dreaming” is an absolute killer song. Those who have seen Joe perform it live know it to be true. It’s a mesmerizing and exhilarating jaunt amid acoustic prowess and fingerboard dexterity, coerced along by raw passion and unadulterated intensity. The eighteen minute voyage through “Django/Just Got Paid” is a dreamy excursion through Guitar Paradise. Similar to a good movie with a theme of mystery and intrigue, I’ll leave out the potpourri of influences heard in this one as to not be the spoiler. It’s totally amazing. Utilizing an adroit talent for slide and fretboard wizardry, Joe soars off in sonic mounts and diving plummets in the ten minute “India/Mountain Time.” His performance is incredibly beautiful and melodic throughout each and every divergent course and alteration. He ends the set with an incredible combo cover of “A New Day Yesterday” and “Starship Trooper.” I believe wholeheartedly that it takes a great band to complete a great performance, and although Joe is phenomenal throughout, he once again has a brilliant group of guys backing him up here. With Carmine Rojas on bass, Rick Melick on keyboards, and Bogie Bowles on drums, Joe Bonamassa excels in Live From Nowhere In Particular, proving he’s one of the most exciting guitarists and performers on the scene today. This is an excellent live album. Live From Nowhere In Particular Disc One: Disc Two: Label: Premier Artists Links: |
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