|
Review ![]() |
About Brian D. Holland | |||
|
CD Review: Weary and Wired - Marc Ford (March 15, 2007) by Brian D. Holland.
Ford’s vocal nuance evokes Chris Robinson in places. He doesn’t really sound like him, but it’s easy to imagine Robinson singing the melody to much of the material. There’s a lot more lead guitar and improvisation on this CD than on Crowes records. And again, many influences are prevalent, like the obvious punk vibe in opener ‘Featherweight Dreamland’ and Neil Young presence in ‘Smoke Signals’. Keep in mind that these are comparable influences I’m talking about, as the album is fresh, and completely Marc Ford in essence. ‘Don’t Come Around’ begins with sluggish, muffled guitar chops, a very familiar intro to Crowes fans. While this interesting song gives off a slight Deep Purple ‘Maybe I’m A Leo’ ambiance, it's also in an atypical Crowes space. ‘It’ll Be Over Soon’ is a vibrant country rocker in the Americana vein of Gram Parsons and Steve Earle. There’s a Tom Petty vibe in ‘Dirty Girl’. Exuberant lead lines, a colorful bridge section, and repetitive riffs reminiscent of old Cream, work together to make ‘1000 Ways’ the quintessential rocker that it is. The lead solo is extremely suggestive of Clapton, in style and tone. ‘Greazy Chicken’ is a six minute instrumental that gets the funk out in an energetic way. It’s the tease you hear after opening www.whymusticry.com on the Internet. ‘Currents’ is, once again, in a Neil Young mode, yet mellow this time. Willie Dixon’s ‘The Same Thing’ is swampy and gritty blues, thick on wah-wah and warm guitar tone. The instrumental gets into some heavy funk as well. ‘Bye Bye Suzy’ is in turbo Chuck Berry mode, and doesn’t stop rockin’ until it’s over. Weary and Wired is an extraordinary collection of songs, and that’s coming from a fan who would usually rather hear Ford alongside the Robinson Brothers and the rest of the Black Crowes than in any other setting. His current sobriety, supposedly the main reason for leaving the Crowes, appears to be paying off, as his guitar playing is top notch. His voice is mediocre, yet listenable and easy on the ears. Weary and Wired is more laid back and less extravagant than It’s About Time, his previous effort, and most of the recording is done as a trio. Nevertheless, if you liked the first one, chances are you’ll like this one as well. Though fresh, lively, and very American sounding, the essence of pure rock and roll is its most unique quality. Weary and Wired Track Listing 1. Featherweight Dreamland 2007 - Blues Bureau International (Shrapnel Records Inc) Marc Ford: guitars and vocals Links |
To submit for review
Recent Reviews
CD Review: Today - Mike Zito
CD Review: Live From Nowhere In Particular - Joe Bonamassa CD Review: From The Reach - Sonny Landreth DVD Review: ZZ Top – Live From Texas DVD Review: Carlos Santana Plays Blues At Montreux 2004 DVD/CD Review: Steve Miller Band - Live From Chicago CD Review: Rise (2-CD Special Edition) - The Answer Monthly Archives
August 2008
July 2008 June 2008 May 2008 April 2008 March 2008 February 2008 January 2008 December 2007 November 2007 October 2007 September 2007 August 2007 July 2007 June 2007 May 2007 April 2007 March 2007 February 2007 January 2007 December 2006 November 2006 October 2006 September 2006 August 2006 July 2006 June 2006 May 2006 April 2006 March 2006 February 2006 January 2006 December 2005 November 2005 October 2005 September 2005 August 2005 July 2005 June 2005 May 2005 April 2005 March 2005 February 2005 Shop for Music Gear » Inside Modern Guitars
Welcome to Modern Guitars, where you'll find thousands of guitar related articles covering every style and genre. This page is your gateway to everything from reviews and the latest industry news to an extensive archive of feature stories and exclusive interviews with six-string icons such as Stevie Ray Vaughan, Carlos Santana, Jeff Beck, Bucky Pizzarelli, Les Paul, Zakk Wylde, Lily Afshar, Mike Stern, and a variety of guitar industry leaders including Paul Reed Smith, Christian F. Martin, IV, Bob Taylor, and Henry Juszkiewicz.
MG Magazine Columns
On Axis by Nick Sterling
PSYKO Guitar by Ronny North Vintage by Saiichi Sugiyama Guitarology by Tom Hess Jazz Scope by Steve Herberman Industry Views by Peter Wolf Women Rock! by Tish Ciravolo Jazz Reviews by Vince Lewis Reviews by Brian D. Holland Berklee X by Matt Baamonde Sunset & Vine by Billy Morrison Hash by John Foxworthy Functional Art by John Page Guitar Art by Pamelina H CRASH Pad by CRASH Live Art by Neal Barbosa |
|||
|
Site contents copyright Modern Guitars Magazine unless otherwise noted. Contact: news@modernguitars.com
|
||||