The Kingston Trio Added to First L.A. Acoustic Music Festival

Press release
Source: conqueroo / Cary Baker

The Kingston Trio, who famously transformed folk music from cult to pop status in the late ‘50s and early ‘60s, has joined the lineup for the first annual L.A. Acoustic Music Festival. The event, featuring a world-class lineup of folk and Americana artists, makes its debut over the weekend of June 6–7, 2009 on the beautiful Santa Monica Pier in Santa Monica, California. The two-day celebration of acoustic music — which takes place during the Pier’s 100th Anniversary year — benefits the California Acoustic Music Project (CAMP). Tickets and information can be found at www.laacousticmusicfestival.com, or by calling (818) 621-8309.

Formed in San Francisco’s North Beach club scene in 1957, the Kingston Trio were key in the genesis of the ‘60s folk revival. Their 1958 #1 hit “Tom Dooley” created a national audience. In the next for years, they recorded ten albums and at one time had four albums on Billboard’s Top 10 album chart. Among the group’s other hits were “Greenback Dollar,” “Where Have All the Flowers Gone,” “The Tijuana Jail,” “A Worried Man” and “The Rev. Mr. Black.” The Kingston Trio opened the door and paved the way for such icons as Bob Dylan, Joan Baez, Tom Paxton, the Smothers Brothers, Peter, Paul & Mary and Jackson Browne. The Kingston Trio tradition lives on with the present lineup of George Grove, Bill Zorn and Rick Doughtery. They will perform Saturday, at 5 p.m.

The lineup for Saturday, June 6 will open with the Refugees, the all-female “power band” of Wendy Waldman (“Save the Best for Last”), Deborah Holland, and Cindy Bullens, followed by Joel Rafael, Eliza Gilkyson, and the extraordinary Jimmy LaFave, named “Best Singer-Songwriter” by Austin Music Awards, playing what he calls “red dirt music.” LaFave will be followed by the Kingston Trio.

Thompson, the iconic British folk rock legend and one of the world’s most critically acclaimed singers, songwriters and guitarists, will take the stage at 5:30, followed by Natalie MacMaster, the virtuoso Cape Breton fiddler at 7 p.m. Bringing it home as the final act of the evening will be Bruce Cockburn at 8:30, rocking the festival stage with his own brand of acoustic folk-jazz-based music that has expanded to include reggae and a harder jazz-fusion-tinged rock.

Leading off the lineup on Sunday, June 7 will be Sarah Lee Guthrie (granddaughter of Woody Guthrie) and Johnny Irion at 12 noon; Austin singer/songwriter Slaid Cleaves at 1:00; and Stonehoney at 2:00, with its neo-California country-rock sound. At 3:15, the deeply inspiring Woody Guthrie tribute (by the band Ribbon of Highway, Endless Skyway) will pay homage to America’s greatest troubadour.

Sunday evening will continue the massive talent lineup with David Bromberg & the Angel Band at 5:30, followed by David Lindley, one of Southern California’s prototype singer/songwriters, known also for his guitar work in Jackson Browne’s recorded legacy, at 7:00. The festival will conclude on a high note with Nanci Griffith at 8:30, performing her acclaimed brand of what Rolling Stone has described as “folkabilly” music.

The California Acoustic Music Project (www.californiaacousticmusicproject.org) (CAMP), to which proceeds from the event will be contributed, is a 501c(3) organization that provides artists-in-residence to schools on a salaried, ongoing basis through the curriculum of the Americana Project in order to ensure that every student gets the experience of music instruction every day. Instruments (primarily guitars, mandolins and banjos) are also provided, and songwriting, instrumentation and performance are taught. Each semester culminates in both a CD project and a concert performance.

According to festival promoter Renee Bodie, “My heart has always been to get the music out there, in whatever way it can. Los Angeles isn't broken, but it has become very disconnected. This is about our community, and being able to buck the odds and have a celebration of acoustic music in a time when our hearts need it the most.”

The L.A. Acoustic Music Festival debuts in a year in which the venerable Claremont Folk Festival is on a one-year hiatus, making the event even more indispensible for fans of folk and Americana music.

The Santa Monica Pier is the ideal spot for a music festival, alive with a variety of entertainment, dining and shopping experiences, including the thrill rides of Pacific Park, a historic 1922 Carousel and an interactive aquarium. With its inspired line-up and location featuring a laid-back beach atmosphere, cool ocean breezes and gorgeous sunsets, the L.A. Acoustic Music Festival is one of the best summer offerings of 2009.

“Premiere” tickets for the event cost $130 (adults, both days) and $100 (children, both days), or $75 (adult, one day) and $45 (children, one day). General admission is $110 (adults, both says) and $80 (children, both days), or $65 (adults, one day) and $45 (children, one day). The ticketing sections are seated in chairs, reserved by section but not individual chair. Premiere seating is front of house. General admission is behind premiere seating.

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