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June 17, 2005Conjuroo Recordings to Reissue Album by Blind Arvella GrayPress release Dobro-Playing Chicago Street Singer Was Urban Link to Field Hollers and Folk Blues SHERMAN OAKS, Calif.- The only album by Blind Arvella Gray, a nearly forgotten street singer who spent the latter part of his life performing folk, blues and gospel music at Chicago's Maxwell Street flea market and at rapid-transit depots, will receive a deluxe reissue on August 2, 2005. The album, The Singing Drifter, was originally released in 1972 on vinyl and fewer than 1,000 copies were sold. Unavailable for more than 30 years, the album will be released as a CD with full liner notes, extensive photography and four bonus tracks. To reissue the album, Baker set upon launching Conjuroo Records and enlisted the services of Grammy Award-winning art director Susan Archie of w0rld of aNarchie, who oversaw innovative packages for Revenant reissues by Charley Patton and Albert Ayler. Additionally, Wylie found four unreleased tracks, which have been added to the release. Arvella Gray (real name James Dixon) was born in Texas in 1906 and was blinded in the '30s, possibly while holding up a bank, possibly in Peoria (he never told the story the same way twice). Arriving in Chicago in the '40s, he brought the music of the cotton fields and chain gangs to the industrial North, proving an unheralded missing link to the origins of American folk music, blues and gospel. His repertoire included many standards, such as the chain gang standard "John Henry" and the traditional country song "More Pretty Girls Than One," while touching on the gospel tradition with songs like "Take Your Burden to the Lord and Leave it There." He accompanied himself on slide National Dobro - an instrument that was later sold on eBay. His fans included Bob Dylan, whose 1961 song "He Was a Friend of Mine" was said to have been borrowed from Gray. Arvella Gray died in Chicago in 1980. "My father took me to the Maxwell Street flea market to show me where his Eastern European immigrant parents had shopped in the '30s and '40s," says Baker. "In the ensuing years, it had become a hotbed for blues artists including Muddy Waters and Big Walter Horton, whose music was heard under the din of CTA buses and flea market hawkers on bullhorns augmented by the aroma of Polish sausages and onions grilling nearby. By the time I visited, Gray was among a handful of surviving buskers who continued to hold forth on Sunday mornings. I was taken by the unique sound and authenticity of his music. In historical perspective, Gray's wailing slide Dobro stands in a category with Hound Dog Taylor, R.L. Burnside or Junior Kimborough - wild, unruly and imperfect. This album quietly slipped between the cracks and it is my privilege and honor to turn a new audience on to this unforgettable street singer." The album will be available at fine retail stores through Emergent/RED. Copies will be available from http://www.conqueroo.com/conjuroo/ or by mail from Conjuroo Recordings, 13351-D Riverside Dr. #655, Sherman Oaks, CA 91423-2450. # # # For additional information on Blind Arvella Gray and Conjuroo Recordings, contact conqueroo: Cary Baker (818) 501-2001 cary@conqueroo.com. --
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