"Big Noise from Springfield, MO" Tour to Kickoff on XM Satellite Radio

Press release
Source: Cary Baker/conqueroo.com

The Morells, The Domino Kings, The Bel Airs and Brian Capps all to Release New CDs on HighTone Records, due for July 12 street date...

Tour kickoff to be broadcast on XM Satellite Radio

Springfield, Missouri has bubbled under the "next big scene" radar since 1982 when The Morells emerged from Lou Whitney's studio with the prototype American roots-rock album Shake & Push. Not youth-driven enough to compete with Akron or Athens, Springfield retreated to the background. But now, in 2005, it's getting ready to erupt for real. Once again, the man behind the action is Whitney, charter member of The Morells and The Skeletons, and his studio, dubbed succinctly The Studio.

HighTone Records of Oakland, California, is now in the process of putting Springfield music back on the national map by releasing four Whitney-produced CDs - The Morells' Think About It, The Bel Airs' Got Love, The Domino Kings' Some Kind of Sign, and Brian Capps' Walk Through Walls - and sponsoring a cross-country tour featuring all four acts. Billed as "Big Noise from Springfield," the tour kicks off on Friday, August 12, 2005, with a live two-and-a-half-hour broadcast over XM Radio Channel 12, X Country. The program, the first live XM concert broadcast of its type, will be repeated in its entirety several times; portions of it will then be aired on several different XM Satellite Radio channels.

Located in the south-central part of the Show-Me state, Springfield, Mo. boasts a rich country music legacy. In the 1950s, it threatened to rival Nashville as the genre's capital. Nashville's venerable "Grand Ole Opry" was slow in making a move from radio to television, but Springfield promoter Si Siman was quicker to the draw, convincing ABC to televise his popular weekly "Ozark Jubilee" radio broadcast in 1955. Hosted by Red Foley, the live TV show ran for five years and gave national audiences their first real glimpse of country music. "Ozark Jubilee" served as a launching pad for the careers of numerous performers, including young Brenda Lee and Springfield-based vocalist Porter Wagoner, who cut his first hit records at Springfield radio station KWTO. Others associated with Springfield include country singers Marvin Rainwater and Wynn Stewart, rockabilly singer-songwriter Ronnie Self, and songwriter Wayne Carson.

National focus on Springfield diminished after ABC pulled the plug on "Ozark Jubilee," but there remains in the city of some 150,000 people a thriving regional American roots music scene. Much of it is centered on Lou Whitney, a record producer, engineer, studio owner, bassist, singer, songwriter, bandleader, and raconteur who's been a Springfield fixture since 1970.

The four acts represent different, yet related, aspects of contemporary Missouri roots music. The Morells, a quartet led by Whitney and guitar virtuoso D. Clinton Thompson, are the most eclectic of the bunch, throwing roadhouse rockabilly, garage rock and R&B, hillbilly swing, comedy numbers, surf songs, and bouncing beats perfectly suited to dancing the twist into their often daffy mix. Based in Columbia, Missouri, the Bel Airs are a trio that serves up highly danceable blues and R&B tunes, many featuring the distinctive two-part vocal harmonies of bassist Dick Pruitt and his guitar-playing brother David. Springfield's Domino Kings, a quartet fronted by master guitar twang-banger Stevie Newman, cover broad stylistic territory, from Bakersfield, California-inspired honky-tonk to Lubbock, Texas-spiced rockabilly. And stepping out on his own is former Domino Kings member Brian Capps, a singer-songwriter who is backed on his debut recording and on the "Big Noise from Springfield" tour by the Morells.

The current Springfield roots sound in many ways reflects the diverse musical influences Lou Whitney has soaked up during his lifetime. Born 62 years ago in Phoenix, Arizona, he experienced twang early on, attending dances featuring Duane Eddy at the Electricians' Union Hall and stopping along his newspaper route to watch Lee Hazelwood and Al Casey working at Arizona Recorders. "It would be like 118 degrees in the hot Phoenix summer afternoons," he recalls, "and I'd go in that cold place and they'd be in there drinking beer at two in the afternoon. I thought, 'This has got a lot of pluses going on.'"

While working toward a degree in real estate at East Tennessee State University, Whitney began playing throughout the South with a succession of soul bands that sometimes backed vocalists such as Arthur Conley and Bobby Lewis. After graduation, a national real-estate chain sent him to Springfield, but he quit after a year and formed a Top 40 band with Thompson that evolved into a New Wave group called the Symptoms, then into the Morells and their alter egos, the Skeletons. When the Morells/Skeletons aren't doing their own records and gigs, they've stayed busy working as a backing band on disc and/or on tour with a wide variety of performers. Often billed as the Hired Guns, they've lent their deft musicianship to such artists as Steve Forbert, Boxcar Willie, Jonathan Richman, Robbie Fulks, Syd Straw, and Dave Alvin.

The Studio, Whitney's 24-track Springfield recording facility, is the place were musicians from Missouri and beyond have been flocking in search of an authentic rootsy sound, as well as Whitney's sound musical advice. "He was around the first time this music was around," the Domino Kings' Stevie Newman says of Whitney. "He has a real firsthand knowledge of it because he's heard it before."

A highly active live music environment also accounts to the vitality of roots music in Missouri, Springfield in particular. "There's always been a mix of working-class rock 'n' roll and country music," says David Pruitt of the Bel Airs. "There's a common thread. It's a regional thing. Almost any traveling musician playing blues, R&B, or roots music will tell you they love it when they get to the Midwest because you get good crowds in the clubs. You make more money playing the cities in the Midwest than you do on the coasts. People go out to see the musicians here, and the musicians go out to see the other bands. You get the cross-influence from the other bands playing in the area."

Those cross-influences will become more widely apparent as four of Missouri's finest - the Morells, the Bel Airs, the Domino Kings, and Brian Capps - hit the highway with HighTone Records' "Big Noise from Springfield" tour.

BIG NOISE FROM SPRINGFIELD, MO TOUR - SO FAR:

Aug 12 WASHINGTON, DC XM Radio National Broadcast
Aug 14 RALEIGH, NC The Pour House
Aug 16 ARLINGTON, VA The Iota
Aug 19 PITTSBURGH, PA Club Cafe
Aug 20 CLEVELAND, OH Beachland Ballroom
Sept 10 NASHVILLE Americana Music Association Conference
Sept 15 MILWAUKEE, WI Shank Hall
Sept 16 MADISON, WI TBA
Sept 17 CHICAGO (BERWYN), IL Fitzgerald's
Sept 24 KANSAS CITY, MO Knuckleheads Saloon

###

For media information on The Morells, The Bel Airs, The Domino Kings, Brian Capps and the "Big Noise from Springfield, Mo." Tour, please contact conqueroo:
Cary Baker (818) 501-2001 cary@conqueroo.com